This Will Smith vehicle begins with a neat premise and starts strong before degenerating into a series of noisy, hollow action scenes.
These films were released in 2007
No Country for Old Men
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Ten years ago, movies like this didn’t win Best Picture. They lost to safe, happy movies like Forrest Gump and Shakespeare in Love. By their usual standards, the Academy voters would have gone with Michael Clayton, the safe and respectable choice. In the last couple of years, however, the Academy has been on a serious indie kick, and the Coen Brothers’ dark character study is about as indie as mainstream movies get. Was the best film of 2007? Perhaps, perhaps not. At least this makes up for Fargo losing out to The English Patient.
Lust, Caution
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Whatever the merits of his various films, you have to admire Ang Lee’s ability not to be pigeonholed as a filmmaker. There aren’t many mainstream filmmakers with as varied a résumé, including comic book movies (Hulk), martial arts (Crouching Tiger, Hidden Dragon), gloomy family dramas (The Ice Storm) and genre-bending love stories (Brokeback Mountain). Thus it’s probably no surprise that he seems perfectly comfortable handling this Chinese-language character study masquerading as a spy thriller.
In the Shadow of the Moon
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First, I believe that this nation should commit itself to achieving the goal, before this decade is out, of landing a man on the Moon and returning him back safely to the earth.
The Apollo missions to the moon were a big part of my childhood. One of my earliest memories involves the launch of Apollo 12 when I was four. Among my more prized possessions is a big hardcover book entitled “Apollo Expeditions to the Moon,” the official NASA history of the program. Naturally, I have movies like The Right Stuff and Apollo 13, plus HBO’s From the Earth to the Moon, in my DVD collection.
You wouldn’t think that there was much that this British documentary could tell me about the subject, but you would be wrong. By focusing on the human experience of the twelve men who actually walked on the surface of another world, In the Shadow of the Moon has something genuinely fresh to say about the greatest adventure of the twentieth century.
Beowulf
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The high-tech motion capture technique that director Robert Zemeckis uses here has improved considerably since 2004’s The Polar Express, but not enough to recommend that he use it again. True, the creepy thousand-yard stares have been cut down to about a hundred-and-seventy-five yards, but when it comes to inserting lifelike characters into fantastical environments, there is more effective technique called using actors, that worked much better in little film called 300.
The Darjeeling Limited
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Wes Anderson films are not set in the same world in which you and I live. If they were, every member of The Royal Tanenbaums would have been strangled by someone close to them. Even if the three brothers travelling by the Darjeeling Limited do not try our patience to the same degree, it is still hard to imagine them occupying the same physical universe as the rest of us. That is either a testament to the writer/director’s imagination or a damning statement about his grip on reality. For the moment, I will give Anderson the benefit of the doubt and endorse the former view.
The Assassination of Jesse James
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If one had no other reference with regards to the American West, they might gather from this movie that Jesse James’ notoriety came from his ability to talk people to death. Well, most of the jaw-jackin’ in this movie comes from the titular coward, but there is no shortage of talk and a relative dearth of the gunplay that one expects from a typical horse opera.
Gone Baby Gone
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All of the reflexive Ben Affleck haters reading this will probably take heart that he appears nowhere on screen during this movie and should be further gratified that he seems to have a real future behind the camera. As a director, he seems to have a sure but almost unnoticeable hand while filming this adaptation of the novel by Mystic River author Dennis Lehane.
We Own the Night
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Despite the “One Degree of Marky-Mark,” this film is not quite the rip-off of The Departed that it appears to be on the surface, but it’s not different enough to make it worth almost two hours of your time. The first-rate cast gives it an illusion of substance that is slightly deceptive, but great performances do not compensate for the run-of-the-mill cop story with a weak villain.
Elizabeth: The Golden Age
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Some movies are made to entertain us, others to inform, titillate or provoke. This one seems to have been made expressly for the purpose of winning the Oscars for Best Costume Design and Best Art Direction. It certainly wasn’t produced to give us a rigorously authentic account of Queen Elizabeth I (Cate Blanchett) at the time of the Spanish Armada or a deeply insightful examination of England’s Virgin Queen as a human being. While 1998’s Elizabeth was fairly sober-sided historical drama, director Shekhar Kapur has this time offered up As Ye Olde World Turns.
The Brave One
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No matter how much lipstick you put on the pig, in the form of an accomplished, Oscar-winning star and an Oscar-nominated director with art house credentials, The Brave One remains an exploitation movie at its heart. Continue reading
3:10 to Yuma
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Unlike the South, the western does seem to rise again. And again and again and again. The genre has been pronounced dead more often than Generalissimo Francisco Franco on Saturday Night Live, but they keep making them. And despite the tendency of the Horse Opera to endlessly recycle plots, this is one of the few explicit remakes I can recall, save for the odd TV movie of the week.
3:10 to Yuma is a movie with its feet in two eras. Continue reading