In the midst of the current boom of comic book movies, it’s easy to forget that was similar, but smaller Hollywood infatuation with the genre in the wake of the Tim Burton Batman movies. Most of the them were quickly and deservedly forgotten but this take on the old radio serials probably deserves to be remembered better than it has been.
The Shadow catches Alec Baldwin at the height of the leading man phase of his career, before his personal life became a bigger story than his acting. Continue reading →
The course of action I’d suggest is a course of action I can’t suggest.
The Hunt for Red October is still the gold standard for film adaptations of Tom Clancy novels, but this third installment, the second with Harrison Ford as Jack Ryan, is only second by a narrow margin and widely superior to the previous Patriot Games and the subsequent Sum of All Fears.
Over the years, the words “Directed by Jon De Bont” and “Starring Keanu Reeves” have not always been recipes for awesomeness (Reeves does get points for Point Break, of course), but I guess accidents can happen. Of all the films built on the Die Hard blueprint, Speed is pretty much the only one that didn’t suck even a little.
Purists could probably spend a lively weekend detailing the factual errors found in Tim Burton’s comic biopic of 1950s schlockmeister Edward D. Wood, Jr., but these killjoys would be completely missing the point of this affectionate tribute to those perpetual outsiders whose dreams far outstrip their talent.
Even though Star Trek VI: The Undiscovered Country effectively passed the torch to the Next Generation cast, the powers that be at Paramount apparently decided that the torch needed even more passing.
My guess is that Rick Berman lacked the faith that the new cast could carry a film franchise without an assist from the original show. Whether that position has any merit is debatable, but the end result was Star Trek: Generations, whose merit is equally debatable.
The last time director Lawrence Kasdan and Kevin Costner teamed up for a western it was 1985’s sunny and retro Silverado, a movie that was as much an homage to the traditional western as anything else. Their second teaming, Wyatt Earp, is a complete 180-degree turn from the first. Billed as a serious examination of the life of the famous and controversial lawman, Wyatt Earp takes a long time to win our hearts and then overstays its welcome.