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The hero of this film is an insomniac (Jeff Goldblum) who doesn’t really know where his life is headed. Watching Into the Night left me with a similar feeling, and I don’t necessarily mean that as a criticism. This whole movie seemed infused with that groggy, discombobulated feeling you get when you’ve been awake for thirty-six hours straight. Continue reading
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Lawrence Kasdan‘s Silverado is a modern old-fashioned western. It’s old-fashioned in the way that it pretends that the western never fell out of favor as a genre. Embued with the optimism that westerns lost in the late 1960s and 1970s, it freely embraces the time-honored conventions that Blazing Saddles gleefully lampooned a decade earlier. It’s modern in its first-rate production values and its cast of stars-in-the-making.
Filmed mostly in New Mexico, Silverado makes the maximum use of the wide open spaces available. Towns sit in the middle of vast plains that stretch to distant mountains. The cinematography is almost a character unto itself.