These films were released during the 1980s

The Return of the Jedi

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★★★★★

The wrap-up to the first trilogy (chronologically, not narratively) should have served as a warning of the pain we were to endure upon the release of the prequels twenty years later. All of the flaws that dogged episodes I through III were visible in Episode VI for anyone who cared to look.

Of course, back then we simply assumed that it was George Lucas unable to top the success of The Empire Strikes Back. Maybe he hired the wrong director in Richard Marquand or, as we have often seen in the case of movie trilogies, the filmmakers can’t always write an ending that lives up to the promise of what’s gone before.

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The Empire Strikes Back

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★★★★★

Why, you stuck up, half-witted, scruffy-looking Nerf herder.

While the 1977 original may have launched the Star Wars phenomenon, I would make the case that this film was responsible for creating the enduring franchise. Had The Empire Strikes Back fallen flat on its face, had it not been, in many eyes, a superior film to the original (or equal in quality at the very worst), there would have been no special editions, no prequels, no Disney sale, and no one would be talking about whether J. J. Abrams wants to direct a seventh film.

I think the strength of this film lies in one simple fact. This is Darth Vader’s movie, more than any other in the franchise. Continue reading →

The Road Warrior

The Road Warrior

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★★★★★

Three or four career meltdowns ago, Mel Gibson was still a fresh face on the scene when he went into a bar the night before his audition for a little film called Mad Max. The brawl that temporarily battered his youthful good looks actually helped land him the role that would launch his career. The first Mad Max was a hit worldwide but made a negligible impression in the States, partly due to a lousy dubbing job the studio inflicted on the film because the suits thought Yanks weren’t ready for a real Australian accent (This was a few years before Crocodile Dundee).

As a result, the sequel was called Mad Max 2 everywhere but the U.S., because you can’t have a sequel to a movie no one had heard of. Call it Mad Max 2 or The Road Warrior, it was like a jolt of adrenaline right into the eyeballs.

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Raging Bull

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★★★★★[/types]]

Raging Bull is an unforgettable portrait of man who seemed to lack the capacity and imagination to ever be happy. It’s not a film you watch to be uplifted or reassured about the human condition. The most pleasant thought you can take away from the story of Jake La Motta (Robert DeNiro) is how fortunate you were not to be one of his friends. Or him.

Stacked next to La Motta, DeNiro’s other great role for director Martin Scorcese, Travis Bickle, is a poster child for well-adjusted contentment. Continue reading →

Into the Night

Into the Night

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★★★★★[/types]]

The hero of this film is an insomniac (Jeff Goldblum) who doesn’t really know where his life is headed. Watching Into the Night left me with a similar feeling, and I don’t necessarily mean that as a criticism. This whole movie seemed infused with that groggy, discombobulated feeling you get when you’ve been awake for thirty-six hours straight. Continue reading →

Ghostbusters

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★★★★★[/types]]

Ghostbusters represents such a high water mark for not only the careers of those involved, but also for comedy in general, that it’s hard to overstate the level of accomplishment on screen. It’s difficult enough to make a good movie, not just a good comedy, but to produce a comedy classic while dealing with the complications of an ambitious special effects picture has to be some kind of cinematic grand slam.

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Romancing the Stone

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★★★★★[/types]]

Back in the eighties, there were a lot of films (and television shows) that tried to cash in on the success of Raiders of the Lost Ark. Who would have thought that this breezy trifle, written years before Raiders, would come closer to capturing the spirit of the original film than Spielberg’s sequel of the very same year?

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The Last Emperor

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★★★★★[/types]]

Perhaps the saddest line in Bernardo Bertolucci’s Oscar-sweeping epic, comes early when the 9-year-old Emperor Pu Yi (Tijger Tsou) naively tells his brother that an emperor can do anything he wants. The bitter irony is that this is only true so long as the emperor does not want to do anything that matters to the people of China. He spends his childhood as a prisoner of his court’s need to have an emperor, in order to justify their own position.

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The Final Countdown

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★★★★★[/types]]

For what it tries to be, about the only thing I can find wrong with The Final Countdown is the title. There really is no countdown involved and, even if there were, there would be nothing particularly final about it. We shouldn’t let that hamper our enjoyment about what has to be the best movie ever made about a time-traveling aircraft carrier.

This is one of those movies that would be nothing without its cast, as it depends upon actors with a certain level of gravitas that you need to sell a profoundly silly premise and this film has scored a jackpot in that department.

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Henry V

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★★★★★[/types]]

Just 29 when he made this, Kenneth Branagh fired a shot across the bow of no less a figure than Laurence Olivier, who had, forty-five years earlier, also directed and starred in his own adaptation of William Shakespeare’s play. Olivier’s version, made in wartime, was intended as a patriotic rallying cry for a weary nation. Branagh’s grittier, more ambiguous version is no less accomplished, although it could stand to be slightly better paced.

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Die Hard

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★★★★★[/types]]

When 1988 began, this guy Bruce Willis was a popular enough TV star, known for his years on Moonlighting, but his two ventures into film were a pair of alleged comedies that had a negligible impact at the box office. At the same time, action movies had been in a creative black hole, full of invulnerable superman battling hordes of commies and terrorists. So, when Die Hard appeared with an unproven star, there weren’t a lot of expectations for its success. It certainly wasn’t expected to reinvent the entire genre. Well, Merry Christmas in freakin’ July, Hollywood.

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