[/types]]
If North by Northwest was a roller coaster ride, then To Catch a Thief was a slightly more sedate roller coaster in a ritzier neighborhood. About as inconsequential as a movie can be, this third collaboration between Alfred Hitchcock and Cary Grant succeeds effortlessly on wit, scenery and star power. Continue reading
[/types]]
Despite the silly, saccharine and inconsequential nature of its story, Disney’s Lady and the Tramp still stands as one of the great achievements in the history of the Mouse Factory’s animated features. Even if the movie had no story it all, that wouldn’t change the fact that it is one of the most gorgeously illustrated of the Disney animated films. There isn’t a frame of this film that I wouldn’t be happy to have framed and hanging on my wall. The animation of the canine characters fluidly blends realism and anthropomorphic fantasy. The filmmakers also make superb use of the movie’s 2.55:1 CinemaScope aspect ratio, a rarity among animated films of any kind.
The film is also unique in that it was also filmed simultaneously in the 4:3 Academy ratio. However, the “Full Screen” version on the new DVD is not this version, but a pan and scan of the CinemaScope film. That doesn’t matter, since here we watch only the widescreen version if we can, but it’s still sad that one of the original versions of this classic is not available.
[/types]]
Despite having two directors with somewhat clashing styles, being noticeably dated in places, and a little too obviously based on a stage play, Mister Roberts still works as a classic comedy and a war movie in which the only violence is committed upon a pair of hapless palm trees.
The Tony-winning play by Joshua Logan and Frank L. Nugent had already run for seven years on Broadway when the film was made and Henry Fonda had played the role of Lt. (jg) Doug Roberts 1,300 times before a frame of film had been shot. It’s safe to say that he didn’t need reheasal.
[/types]]
The Trouble With Harry is a like a picturesque photo essay of a New England autumn, with a dead body just happening to spoil most of the shots. It was also such a change of pace for Alfred Hitchcock that a lot of audiences seem to strip their gears at the time. Being known for his suspense thrillers, directing such a lightweight and cheerfully dark comedy was like a high curveball sailing past the moviegoer’s head.
As a result, Harry is not usually remembered with the classics among Hitchcock’s body of work, and that’s a shame. It’s a genuinely funny film populated with an appealing cast of eccentrics (or, as they are known in New England, “just normal folk”).