It’s a rare film that actually has a measurable impact on a completely unrelated industry. And for it to be such a sweet, low-key comedy like Sideways is, I think, almost unheard of. But after this film was a hit with audiences, sales of Pinot Noir skyrocketed while those of Merlot dipped slightly.
I sincerely doubt that the filmmakers went into this project aiming to reshape the wine industry. They were just trying to make a quiet, very human story about two friends on a road trip to celebrate an impending marriage and, in that effort, they very much succeeded.
Miles (Paul Giamatti) and Jack (Thomas Haden Church) are old friends. Miles is a depressed, frustrated writer working as a high-school teacher. He’s also a self-styled wine connoisseur with a fetish for Pinot Noir. Jack is an actor whose career is not exactly on the upswing, relegated to voicing the legalese that plays over prescription drug commercials. They’re heading up to the Santa Barbara wine country the week before Jack’s marriage, but the two men seem to have very different agenda. Miles is expecting a quiet week of wine tasting as the two old friends spend one last week before Jack’s life changes in a big way. Jack just wants to get laid before settling down.
Arriving in the wine country, they encounter Maya (Virginia Madsen), a newly divorced waitress that knows and clearly likes Miles, even if he is still in love with his ex-wife. They also meet her friend, Stephanie (Sandra Oh), the flirtatious pour girl at a wine tasting room who takes an instant shine to Jack. Imploring Miles to keep mum about his impending marriage, Jack pursues Stephanie by setting up a double date with her and Maya. Miles, who often has the social grace of a three-legged hippo, is left to fend for himself as Jack and Stephanie pair off. Despite his awkwardness, or perhaps because of it, the barriers between him and Maya start to crumble, if just for a little while.
Both men are interesting opposites. Gentle, kind and closed off, Miles acts as Jack’s ineffectual conscience and, for all his boorish womanizing, Jack seems to genuinely care for his friend, trying to force him out of the shell he’s built around himself. Unfortunately for him, Miles has a hard time keeping his mouth shut when he has a couple of glasses of Pinot Noir in him. As Maya, Virginia Madsen embodies the attractive, mature and intelligent woman that lonely middle-age bachelors dream of marrying. Sandra Oh, as the uninhibited Stephanie, is also a fantasy figure, but it’s a different kind of fantasy. She clearly knows what men want and wants that, too.
Like many small, character-driven films, the plot of Sideways doesn’t involve dramatic, life-changing events that forever alter the landscape of its characters’ lives. Instead, it just puts real, flawed characters together and lets them behave according to who they are. When movies have this kind of faith in the people inhabiting their stories, the result is usually magic, like with Sideways.
Nice take on one of the few great films to come out recently. I still chuckle when I think of the pseudo car accident.
It was funny. I didn’t see it as the Oscar-worthy subject of hype that it was made out to be, but it was good.
And I totally did NOT need to see that nasty couple going at it. ICK.
Yawn…. I thought the plot was boring. It had it’s funny moments, but was basically a drawn-out-no-substance movie.
I finally saw this film last week, and was pleasantly surprised. I took so long to see it because it was one of those films that is so over-hyped to the point of turning me off it altogether. I hate being force-fed something. So I finally caught it on HBO and amazingly enough, I liked it! I enjoyed watching a movie that was about adults for a change. And damn good writing, especially the scene between Miles and Maya when they talk about aged wines. That the director lets them actually talk for an extended time is a rare thing in Hollywood.
Sideways is definitely a good movie. Not a GREAT movie, but a good movie. (and I, too, could have done without some of the nudity. eww!)
like eternal sunshine of the spotless mind, i didn’t care ONE BIT about ANY of the characters. i think this film was highly overrated.
have you seen vera drake? now THERE is a character driven movie.