And you think this gives you power over me?
Bringing Chris Nolan’s Bat-Trilogy to a satisfying conclusion, The Dark Knight Rises is probably not everyone’s idea of a comic book movie, but if it’s not yours, then you’re missing out. It may tell a complicated story and take its sweet time in the process, but it doesn’t waste that time in any way. For this last film, Nolan uses the canvas of the Batman universe to weave an epic tale, planting the comic book notions of good and evil in something that feels like the real world.
This is an above-average action comedy that doesn’t have a lot to do with the classic 1960s TV series, despite some affectionate nods in that direction.
Who would have guess that they could make a movie about gay sheepherders and people would flock to see it? Sorry, but that’s about the only Brokeback Mountain joke that I have not heard in the last eighteen months. I will admit that I went into this film with a degree of skepticism, fearing that it would be an earnest, self-conscious “message movie.” I was pleasantly surprised to find that it was a carefully observed study of two sharply drawn individuals in a doomed relationship and how that relationship impacts their lives.