Celluloid Heroes

A kiss can be even deadlier if you mean it.

Following the huge success of Tim Burton’s Batman, a sequel was inevitable. It’s also clear that Burton was allowed a lot more creative leeway in directing Batman Returns than he had on the first film. The 1989 film had scattered touches of the director’s off-center worldview, but the 1992 sequel was set in a world that was Burton-esque from wall to wall.

To try to top Jack Nicholson’s balls-to-the-wall portrayal of the Joker, Returns gives us three, count ‘em, three villains for our movie-going bucks. The Penguin (Danny DeVito), Catwoman (Michelle Pfeiffer) and Max Shreck (Christopher Walken). You would think with this kind of A-List talent on hand, however, that Batman Returns would bat better than .333 in the villain department. Of the three, only Catwoman manages to emerge as a full-blooded character.

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It’s a hell of a thing, killing a man. Take away all he’s got and all he’s ever gonna have.

I think the last “traditional” western that Clint Eastwood starred in was the television show Rawhide. Even his own The Outlaw Josey Wales, while as close as he has come to what people normally think of as a western, had enough of Eastwood’s character-based humor to make it stand apart from the crowd.

Unforgiven is not going to change that, either. Eastwood’s first Best Picture winner is less of a Western than a clear-eyed rumination on the subject of violence. Some have labeled the film “anti-violence” but that is an over-simplification that denies the film’s depth.

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Coffee is for closers.

Speaking as some who worked in retail sales for few years out of college, I can certainly vouch for the authenticity of much of what transpires in James Foley’s film of David Mamet’s play Glengarry Glen Ross. The scene in which Alec Baldwin’s character verbally emasculates the sad sack salesmen is reminiscent of any number of sales meetings or visits from the district manager. Okay, I can’t ever recall being called a “cocksucker” in those sessions (it was often mixed company, after all), but the message was same. Selling is everything. A good salesmen should be able to sell water to a drowning man. Excuses are for losers and low numbers are the way out the door. You might notice that I don’t work in that field any more.

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