Released or distributed by
Walt Disney Pictures

The Avengers

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★★★★★

I suspect that the Avengers exists as a comic book series because, despite their dominant position in that arena and broad portfolio of characters, only one, Spider-Man, really counts as an A-List superhero to the world beyond the fringes of comic book fandom. The rest of the major league franchises, Batman and Superman, belong to DC Comics.

Recent movies have changed that pecking order, but let’s face it: No one really gave a rat’s ass about Iron Man until Robert Downey, Jr. strapped on the suit and when most people hear “Incredible Hulk,” they think Bill Bixby and Lou Ferrigno before they think of Eric Bana, Edward Norton, or Mark Ruffalo.

Good thing no one told writer/director Joss Whedon. Continue reading →

Brave

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★★★★★

Marriage is not the end of the world.

This is less of a Pixar movie distributed by Disney than it is a Disney movie with animation by Pixar. The sumptuous visual experience we expect from a Pixar movie is more than up to our expectations, but as a story, Brave trods the familiar ground of more traditional Disney animation rather than the uncharted territories of WALL-E, Up, or The Incredibles. Unlike previous Pixar efforts, this is one for the kids and not as entertaining for the grown-ups in the room.

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Up

Up

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★★★★★[/types]]

What has always amazed me about the combined output of Pixar Animation is not just the consistent quality of the storytelling, but how different each film is from all the others. The Incredibles was as little like Cars as it was different from WALL-E. Disney’s traditional animation since The Little Mermaid, while often highly accomplished, has a certain sameness to it. With the exception of The Lion King, every film in that canon seems to have a heroine that resembles Belle from Beauty and the Beast.

Up continues Pixar’s proud tradition of breaking its own mold with a charming film that takes a touching story of an old man’s promise to his late wife and effortlessly combines it with a giddy child’s fantasy. Continue reading →

TRON: Legacy

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★★★★★[/types]]

The original TRON was most impressive as a demonstration of technology that was, for the most part, still lingering just over the horizon. It was more of a demo reel with a plot, fondly remembered by the geeks who were wowed by its then-revolutionary visuals and couldn’t be bothered by the lack of an engaging story.

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WALL-E

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★★★★★[/types]]

I think I’ve discovered at least one of the secrets of Pixar’s inexplicably consistent excellence. Many movies are so desperately eager to dazzle us visually, put their technical prowess on display, that they lose sight of anything resembling story. Pixar seems to wade into each project with supreme confidence in their ability to provide a feast for our eyeballs. This self-assuredness allows them to focus on details like story and character, things that turn a mere lightshow into an enchanting narrative and even help it transcend the boundary into art.

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Pirates of the Caribbean: At World’s End

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★★★★★[/types]]

Before the Pirates of the Caribbean franchise, the practice of shooting two sequels in quick succession had a short and unspectacular history. In the eighties, they tried with the Back to the Future movies and, while those sequels had some charms, they were pale imitations of the original. These efforts, however, were masterpieces compared to the Wachowski brothers’ follow-ups to The Matrix, which managed to completely suck all of our good will for the original into that blank space behind Keanu Reeves’ eyes.

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Pirates of the Caribbean: Dead Man’s Chest

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★★★★★[/types]]

In Hollywood, success comes with its own peculiar brand of curses, most notably the expectation that one will follow that success with a sequel that will match, if not vastly exceed, the creative and commercial accomplishments of the original. Since any successful film is a matter of artistic and technical alchemy outside the control and understanding of us mere mortals, it’s little surprise that most sequels end up being pale, stunted, mutated offspring of the first movie. Continue reading →

Pirates of the Caribbean: Curse of the Black Pearl

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★★★★★[/types]]

Back when I was a lad, “Pirates of the Caribbean” was about the only cool ride left at Disneyland when the E tickets were all gone or the line for Space Mountain stretched to some time next Tuesday. It was either “Pirates,” “Small World” or head for parking lot. If you had suggested back then that the ride would be made into movie and that movie would not only not be rated G, but the lead actor would also pattern his character after a member of the Rolling Stones, Walt himself probably would have risen from the grave to personally throw your hippie ass out of the park.

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The Jungle Book

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★★★★★[/types]]

The Jungle Book was the last Disney animated film in which Walt Disney had any direct involvement. It’s probably not a coincidence that it also marked the end of the first real “Golden Age” of classical animated features from the House of the Mouse.

While the studio would continue to produce other cell-animated movies over the next twenty years, no one was ever going to confuse The Aristocats and The Rescuers for Pinocchio. It wouldn’t be until The Little Mermaid in 1989 that Disney would really reclaim its animated mojo.

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Meet the Robinsons

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★★★★★[/types]]

There is a clear pecking order when it comes to computer-animated features from Disney. On the top tier are the Pixar films like The Incredibles and Ratatouille, which push the envelope technologically and are usually have a deeper, more sophisticated story than your typical animated film. On the next rung down is, frankly, everything else.

Meet the Robinsons clearly falls into this second tier, lacking the lushness and complexity of its Pixar brethren. That doesn’t make a bad movie, just simpler and less challenging. While even films like Finding Nemo have the ability to keep the adults entertained while still engaging the kiddies. This bright and cheerful sci-fi tale, however, is one you let your eight-to-ten-year-old throw in the DVD player while you pour yourself a Pinot and curl up with a book.

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The Incredibles

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★★★★★

Who would have thought that the only thing that could bring down the great defenders of truth, justice and the American way would be that fiendish arch-nemesis known as the Trial Lawyer? Well, come to think about it, that’s really not news, is it?

I kid. I kid. Please don’t sue me.

The Incredibles, Brad Bird’s first feature for Pixar and Disney, was the sixth consecutive creative bulls-eye by that group since the release of Toy Story. Frankly, the team at Pixar is starting to make excellence seem almost boring. Who do these guys think they are, the New England Patriots?

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Ratatouille

Ratatouille

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★★★★★[/types]]

Okay, here’s the usual course of events that I follow with each new Pixar movie. 1) Hear concept. 2) Skeptically conclude that Pixar has finally blown it and there’s no way they can make this idea work. 3) See movie. 4) Offer up silent apologies for my lack of faith.

I’ll be damned if they haven’t done it to me again.

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