Released during the 1990s

Terminator 2: Judgment Day (1991)

Tuesday, June 28th, 2011

Now don’t take this the wrong way, but you’re a terminator, right?

You have to hand it to James Cameron. He knows how to spend money. Not only did he spend $300 million on Avatar without blinking, but he was the first to sink $200 million into a picture, that being Titanic. Even before that, T2 was the movie to break Hollywood’s $100 million cherry. Considering the results, none of that money was wasted, but do we really want to keep encouraging this sort of behavior? What happened to the James Cameron who could make the first Terminator movie for less than the loose change he found in his sofa?

Terminator 2: Judgment Day

It’s hard to argue with the results when they look like this. Terminator 2 takes the lean, stripped-down muscle car that was the original and straps on a couple of booster rockets from the space shuttle. It’s sci-fi action filmmaking at such a level of relentless professionalism that it just wears you down and makes you hand over your skepticism like it was your lunch money.

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Director:  | Released:  | 137 min. | Rated:  | Genres: 

Heat (1995)

Tuesday, May 17th, 2011

Now, if you’re on me and you gotta move when I move, how do you expect to keep a marriage?

Pacino buys DeNiro a cup of coffee

Poor old Michael Mann. Here he was getting ready to make what was going to be the Lawrence of Arabia/Citizen Kane of cops-and-robbers movies, and he thought he had the legendary Robert DeNiro and Al Pacino working together for the first time. What happens? They pull a switcheroo on him and stick him with the world’s worst Pacino impersonator. (more…)

Director:  | Released:  | 170 min. | Rated:  | Genres: 

Speed (1994)

Friday, April 29th, 2011

Did you have any luck with the bomb?

Yeah. It didn’t go off.

Over the years, the words “Directed by Jon De Bont” and “Starring Keanu Reeves” have not always been recipes for awesomeness (Reeves does get points for Point Break, of course), but I guess accidents can happen. Of all the films built on the Die Hard blueprint, Speed is pretty much the only one that didn’t suck even a little.

Speed

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Director:  | Released:  | 116 min. | Rated:  | Genres: 

Robin Hood: Prince of Thieves (1991)

Sunday, February 10th, 2008

No man controls my destiny. Especially not one who attacks downwind and stinks of garlic.

In my last review, 3:10 to Yuma, I lamented the casting of two non-Americans, Russell Crowe and Christian Bale, in the lead roles for a Western. I suppose, however, that would be our just desserts for movies like this, which retells an English legend with four Americans in the lead roles. The most visible British actor is stuck playing the villain, making this, I suppose, sort of an unofficial Star Wars film. To add insult to injury, the entire story is refashioned as a generic action movie, raining down clichés like flaming arrows.

Robin Hood: Prince of Thieves

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Director:  | Released:  | 143 min. | Rated:  | Genres: 

Much Ado About Nothing (1993)

Thursday, November 29th, 2007

I do suffer love indeed, for I love thee against my will.

Between the mud-stained medieval warfare of Henry V and the emotional operatics of Hamlet, Kenneth Branagh, dipped his toe in one of Shakespeare’s lightest and airiest comedies and produced one of the most accessible and genuinely delightful versions of the Bard’s plays to reach the big screen. Its plot, boiled down to its essentials, will probably seem familiar to fans of modern romantic comedies, proving that the genre is one of oldest, and most durable, in English literature.

Much Ado About Nothing

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Director:  | Released:  | 111 min. | Rated:  | Genres: 

Dead Again (1991)

Tuesday, November 27th, 2007

It’s the karmic credit plan. Buy now, pay forever.

Dead Again

After measuring himself against no less than Laurence Olivier with his modernized adaptation of Henry V and comparing favorably, Kenneth Branagh took aim at no less a figure than Alfred Hitchcock with his next film. As entertaining and stylish as Dead Again is, Branagh seems to be on much surer ground when tackling the Bard of Avon than he does with the Master of Suspense. (more…)

Director:  | Released:  | 107 min. | Rated:  | Genres: 

Looking for Richard (1996)

Sunday, November 25th, 2007

If I told him about that other ten rolls of film, he’d want to use it.

Not long before this movie came out, I spent a couple of weeks in London and, among other things, took in a production of The Two Gentlemen of Verona at Shakespeare’s Globe Theatre at Bankside. And unlike my wimpy travelling companions, who splurged for box seats, I experienced the play in true groundling fashion, huddled against the stage in a rain storm. Okay, I don’t think the groundlings of Shakespeare’s day covered themselves in plastic bags, but they would have if they’d had them.

Looking for Richard

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Director:  | Released:  | 112 min. | Rated:  | Genres: 

Hearts of Darkness: A Filmmaker’s Apocalypse (1991)

Friday, November 23rd, 2007

If Marty dies, I wanna hear that everything’s okay, until I say, “Marty is dead.”

This film would make an interesting companion to Lost in La Mancha. Both films deal in essence with the wheels coming off of film production. While Terry Gilliam’s The Man Who Killed Don Quixote died a quick death from sudden blunt force trauma, Francis Ford Coppola’s troubled production of Apocalypse Now seems to suffer the slow death of a thousand cuts. Originally budgeted at $13 million with a shooting schedule of sixteen weeks, it took more than a year and cost more than twice as much. The story of how this production went so wrong yet resulted in a film regarded as an enduring masterpiece is almost more interesting than the movie’s actual story.

Hearts of Darkness: A Filmmaker's Apocalypse

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Director:  | Released:  | 96 min. | Rated:  | Genres: 

Die Hard: With a Vengeance (1995)

Friday, November 23rd, 2007

You mean to tell me that I’m caught up in all this shit because some white cop threw some white asshole’s brother off a roof?

It’s almost axiomatic that the third iteration of a movie franchise is when the sucking starts to begin, assuming that the first sequel didn’t already bring the suck to the table. The good news is that the third Die Hard movie, with John McTiernan back at the helm, manages to avoid this “curse of the third movie.” The bad news is that it doesn’t miss the mark by all that much. This is a Die Hard movie done mostly by the numbers and it’s only because of the sheer professionalism of the enterprise that they bring it off at all.

Die Hard: With a Vengeance

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Director:  | Released:  | 131 min. | Rated:  | Genres:  | Franchise: 

Die Hard 2 (1990)

Wednesday, November 21st, 2007

Just once, I’d like a regular, normal Christmas.

This follow-up to the 1988 genre-buster is one of those movies that does just about as much wrong as it can without completely sucking. It’s also not bad for a Renny Harlin movie, but if all you can claim is you’re better than Cutthroat Island, that’s not much to hang your hat on. The best you can say about it is that it keeps your eyes and ears sufficiently entertained that you don’t notice that your brain hasn’t joined in the reindeer games.

Die Hard 2

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Director:  | Released:  | 124 min. | Rated:  | Genres:  | Franchise: 

The Iron Giant (1999)

Thursday, November 8th, 2007

I am now the luckiest kid in America! This must be the biggest discovery since, I don’t know, television or something!

Before he struck it big with Disney, Pixar and The Incredibles, director Brad Bird helmed this minor delight of a movie for Warner Bros. which, sadly, almost nobody ever saw when it first came out. A well-deserved cult status followed its release on home video, however, paving the way for its director to move on to bigger and, although it’s difficult to believe, even better efforts than this.

The Iron Giant

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Director:  | Released:  | 86 min. | Rated:  | Genres: 

Tombstone (1993)

Saturday, October 20th, 2007

You gonna do somethin’ or are you just gonna stand there and bleed?

Tombstone was the first shot fired in a double-barreled blast of Wyatt Earp movies in 1993 and 1994. While Lawrence Kasdan and Kevin Costner’s Wyatt Earp was too long, plodding and ponderous, George Pan Cosmato’s entry in the O.K. Corral sweepstakes was violent and operatic, a noisy revenge tale told at a fever pitch. It was also the better movie, even if its fidelity to the facts of Earp’s life was less than letter perfect. Movie audiences have never been that picky about historical accuracy in their westerns. Young Guns did all right and it was hardly a scholarly work on the life of Billy the Kid.

Tombstone

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Director:  | Released:  | 130 min. | Rated:  | Genres: