National Film Registry

An ever-growing list of irreplaceable films maintained by the Library of Congress.

Duck Soup (1933)

Friday, July 1st, 2011

Remember, you’re fighting for this woman’s honour, which is probably more than she ever did.

I would offer up Duck Soup as the spiritual great-grandfather of movies like Blazing Saddles and Airplane!. Its plot seems to exist as an afterthought, unnecessary baggage that gets in the way of the movie’s true purpose: “four Jews trying to get a laugh,” as Groucho Marx would later confess.

Duck Soup

It’s possible to view Duck Soup as a brilliant political farce, lacerating the bloated self-importance of world leaders, or you can just look to it for 68 minutes of pure post-Vaudevillian anarchy. It works both ways. This may not be the Marx Brothers at their most coherent, but it’s easily them at their funniest.

(more…)

Director:  | Released:  | 68 min. | Rated:  | Genres: 

Once Upon a Time in the West (1968)

AKA: C'era una volta il West
Friday, June 24th, 2011

Wen they do you in, pray it’s somebody who knows where to shoot…

Sergio Leone’s follow-up to the “Man With No Name” film trilogy was probably not what anyone expected, but international audiences seemed better able to cope with the surprise than their American counterparts. Once Upon a Time in the West initially bombed in the States despite being a smash hit overseas. Only in retrospect have we conferred upon this film its proper status as a unique classic, as different from the director’s previous work as it was from the more traditional Hollywood conventions it inverted at the same time it was playing homage to them.

Once upon a Time in the West

(more…)

Director:  | Released:  | 171 min. | Rated:  | Genres: 

The African Queen (1951)

Wednesday, June 22nd, 2011

I may be a born fool, but you got ten absurd ideas to my one.

John Huston’s classic film had the unusual distinction of being the last film from the American Film Institute’s 100 Years, 100 Movies list to appear on DVD in the United States, not bowing on that format until March of 2010, well into the Blu-ray/Netflix streaming era. You could find it overseas, but only if you had a “region-free” player, and those copies were made from prints that were, to be polite, pieces of mule dung. Yeah, you should have heard the less polite version of that sentence.

The African Queen

Having seen Paramount’s new release, on Blu-ray of course, I have to say it was worth waiting for the studio to sort out who had the rights to The African Queen, find a half-way decent copy, and then take the time to restore the film to something quite near its original glory.

(more…)

Director:  | Released:  | 105 min. | Rated:  | Genres: 

The Man Who Shot Liberty Valance (1962)

Tuesday, June 14th, 2011

When the legend becomes fact, print the legend.

While John Ford would go on to direct several more pictures after this one, The Man Who Shot Liberty Valance represents a sort of exclamation point of one of most celebrated directorial careers in American film. His previous high-water mark, The Searchers, was a film torn between the conventions of a previous era and emerging modern sensibilities. Liberty Valance is thoroughly modern by 1962 standards and virtually timeless by any other.

The Man Who Shot Liberty Valance

(more…)

Director:  | Released:  | 123 min. | Rated:  | Genres: 

Dr. Strangelove (1964)

Thursday, May 5th, 2011

Gentlemen, you can’t fight in here! This is the War Room!

Stanley Kubrick’s acid-soaked absurdist farce about the end of the world has to stand alone among the genre of cold war films in the same way that 2001: A Space Odyssey stands alone among science-fiction films. (more…)

Director:  | Released:  | 95 min. | Rated:  | Genres: 

The Bridge on the River Kwai (1957)

Monday, May 2nd, 2011

Do not speak to me of rules. This is war! This is not a game of cricket!

Even before its classic final scene, the subject of madness runs under this particular bridge, as all three of the main characters have their sanity questioned at some point and the chief questioner, played by William Holden, jokingly questions his own mental state. For all its vast scale, The Bridge on the River Kwai remains an indelible and intimate portrait of fanaticism fatally clashing with fanaticism.

(more…)

Director:  | Released:  | 161 min. | Rated:  | Genres: 

The Searchers (1956)

Friday, January 16th, 2009

You speak good American for a Comanch. Somebody teach ya?

John Ford’s The Searchers is a movie in desperate search for an identity. For every aspect that is excellent, two more make you want to cringe. The film seems to have feet in two eras. Its ambivalent attitude toward the stereotypical treatment of Native Americans seems slightly ahead of its time, although Hollywood would do much better later. Balancing against this are characters and storylines that would have seemed dated when Ford and John Wayne were first working together back in the thirties.

The Duke

(more…)

Director:  | Released:  | 119 min. | Rated:  | Genres: 

From Here to Eternity (1953)

Friday, November 30th, 2007

Nobody ever lies about being lonely.

In lesser hands, this movie would have been one long soap opera, but this adaptation of James Jonesrather bawdy novel manages to wring real human drama out of its characters instead. The real miracle is that the filmmakers managed to tame the rather explicit novel enough to appease the censors and still stay true to the spirit of the story. If all you remember or know about this movie is Burt Lancaster’s famous clinch on the beach with Deborah Kerr, then you owe yourself a viewing of this movie, which has a lot more to offer.

From Here to Eternity

(more…)

Director:  | Released:  | 118 min. | Rated:  | Genres: 

The Jazz Singer (1927)

Sunday, October 21st, 2007

You ain’t heard nothin’ yet.

Economists have a term known as creative destruction. That’s when a new innovation appears on the market and the established order of an industry has the proverbial rug pulled out from under its feet. The introduction of synchronized sound, especially dialog, had that sort of effect on the film industry.

Something

Not only were careers ended for performers who couldn’t adapt to the new demands, but silent films already in production were either shelved or reshot with sound. Within a couple of years, silent films had gone from being state of the art to yesterday’s relics. They were the 1920’s equivalent of last year’s iPod.

(more…)

Director:  | Released:  | 88 min. | Rated:  | Genres: 

Taxi Driver (1976)

Monday, August 20th, 2007

Someday a real rain’ll come and wash all this scum off the streets.

This story of a lonely man isolated from the millions of people around him could have been told in any city but Martin Scorcese’s movie could only have been made in New York City, and only in the city of the mid-seventies. Travis Bickle is as much a product of that time and place as he is a creation of screenwriter Paul Schrader’s imagination.

Taxi Driver

The New York City of Taxi Driver is definitely not today’s “Disney-fied” city. This is the pre-Giuliani Big Apple, the domain of pimps and drug dealers. (more…)

Director:  | Released:  | 113 min. | Rated:  | Genres: 

Jaws (1975)

Monday, July 30th, 2007

I’m not going to waste my time arguing with a man who’s lining up to be a hot lunch.

Many of you might not be old enough to recall but Jaws effectively invented the concept of the summer movie as we know it today. Two years before Star Wars, it was the first film to really demonstrate the power of all those teenagers, recently freed from school, to generate an ass-load of money at the box office.

Jaws

Of course, this was also before the modern marketing machine was fully geared up, so in order for a movie to become a mega-blockbuster, it depended on a lot of word-of-mouth to get people’s butts into the seats. In those days, it still required that the film not suck. Mission accomplished, I’d say.

(more…)

Director:  | Released:  | 124 min. | Rated:  | Genres: 

The French Connection (1971)

Thursday, July 19th, 2007

I wouldn’t be infringing on your coffee break if I thought it was a nickel-and-dimer.

William Friedkin’s The French Connection is a lean, uncompromising example of filmmaking without a single gram of fat on its bones. Nothing unnecessary to telling the story is on screen, allowing Friedkin to tell a fairly complex story within a surprisingly compact running time of 104 minutes. Gene Hackman’s balls-out performance as unconventional and obsessive narcotics cop Jimmy “Popeye” Doyle elevates what was already a superior film to the level of a classic.

The French Connection

(more…)

Director:  | Released:  | 104 min. | Rated:  | Genres: