Ratings System

The MPAA ratings system… as useful as a screen door on the Red October.

The King’s F Word

Monday, May 16th, 2011

I had a few additional thoughts regarding The King’s Speech, apart from my actual review of the film. If you haven’t heard (and apparently a lot of people didn’t), the Weinstein company released a PG-13 cut of last year’s Best Picture. The original film was rated R in the U.S. because of a pair of scenes where Prince Albert/King George uses streams of profanity as an exercise to conquer his stammer. The PG-13 version excises those naughty words.

There are two reasons why the very existence of this cut is a joke. (more…)

This Film Is Not Yet Rated (2006)

Saturday, September 9th, 2006

I won’t bore you any more with my opinions on the current MPAA ratings system. If you are interested, you can read the following:

Kirby Dick‘s new documentary, This Film Is Not Yet Rated, tackles the issues surrounding the MPAA ratings system head-on, laying out how films are handled differently depending on whether their content is sexual or violent and whether or not the film comes from an independent or one of the major studios.

Make no mistake, this film makes no pretense of objectivity. (more…)

Commentary: The Unrated Director’s Cut

Tuesday, December 13th, 2005

I believe the phenomenon began with the widescreen DVD release of the second Charlie’s Angels movie. The theatrical version was a fluffy PG-13 rated action comedy. By all accounts, the “unrated director’s cut” on the DVD was … a fluffy PG-13 rated action comedy.

The “unrated” edition used to mean, “We put back in all of the blood, guts, filthy words and heaving, sweaty naked flesh that the tight-spinchtered assholes at the MPAA made us take out to avoid an NC-17.” A truly unrated version of Charlie’s Angels ought to feature a three-way, full-frontal, hot-oil make-out scene between Cameron Diaz, Lucy Liu and Drew Barrymore… or, um, something like that. I didn’t say that out loud, did I?

In 2005, “unrated” seems to mean, “We spliced a couple scenes into a PG-13 movie, nothing that would actually change the rating, and then we don’t resubmit the new version to the MPAA and presto, we have an ‘unrated’ version that will make all the gullible teenagers think ‘Woo hoo! Smut galore!’”

In other words, “unrated” has gone from a way to restore the integrity of the filmmaker’s original vision to a wickedly cynical marketing ploy.

How Do You Rate, Part III: Do It By The Numbers

Tuesday, October 25th, 2005

The single biggest flaw in our current movie rating system is that shoehorns vastly different levels of content into the same rating. The R rating can cover everything from the gentle Lost in Translation, with one brief scene in a strip club to a Friday the 13th movie in which a half-dozen nude women get decapitated or meet some other graphically depicted and gruesome fate.

The MPAA has tried to help recently by publishing a brief summary of their reasons for applying a rating, but these are often ambiguous at best. What exactly is a “Sexual Situation”? How much violence is “Strong” violence?

So what do I propose? Nothing less than taking G, PG, PG-13, R and NC-17 and tossing them on a bonfire. We can do better. (more…)

How Do You Rate, Part II: Mature Adults Need Not Apply

Tuesday, October 25th, 2005

In most circles of life, the words “mature” and “adult” are seen as compliments, signs that you are handling yourself in a manner superior to toddlers and teenagers. No one that I know of wants to be thought of otherwise.

So why is it when the words “mature” and/or “adult” are applied to movies, suddenly everyone tightens their sphincter like a Victorian spinster? Calling a movie mature or adult never seems to refer to non-juvenile matter like Mystic River or Million Dollar Baby, but rather to Behind the Green Door or Ass Rammers 12. When did maturity become synonomous with plain brown wrappers?

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How Do You Rate, Part I: PG-13 Is The Spawn of Satan

Monday, October 24th, 2005

Well, not quite, but I think the PG-13 rating is like a vortex sucking the film industry toward mediocrity. I’m not sure Hollywood needed any help moving in that direction but the 21-year-old rating has, in my opinion, given it a rude shove down that road.

For those of you too young to remember (or if you were simply too coked up during the 1980s), it’s all Steven Spielberg’s fault. Well, kind of. The PG-13 arouse out of the public furor over the 1984 movies Indiana Jones and the Temple of Doom, which he directed, and Gremlins, which he produced. The violence level in both films was considered shocking for PG rated films but somehow didn’t cross that R-rated threshold. Something in between was demanded and thus PG-13 was born.

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