Keyword Archive:
Music

When the change was made uptown and the Big Man joined the band…

Saturday, June 18th, 2011

Celluloid Heroes is sad to report that Clarence Clemons, saxophonist for Bruce Springsteen’s E Street Band, died today of complications from a stroke. A towering figure with a personality and a lust for life to match, Clarence’s role in Springsteen’s success and enduring legacy cannot be overestimated. “Jungleland” will never sound quite the same.

Clarence Clemons

And yes, dear readers, there is a movie connection. The Big Man appeared in Bill and Ted’s Excellent Adventure as one of the Three Most Important People in the World. How’s that for typecasting?

So, in honor of his memory, all I ask is that from the coastline to the city, all the little pretties raise your hands…

Shine a Light (2008)

Friday, December 19th, 2008

In concert, the Rolling Stones can still rock the house. The lesser-known chestnuts and covers are played with passion, but after forty years classics like “Satisfaction” are starting to sound hollow and forced.

Plus, at his age, Keith Richards looks less like a guitar god and more like a bag lady. Ditch the head scarves, Keith! It’s not a good look for you…

The Last Waltz (1978)

Sunday, November 18th, 2007

You won’t make much money, but you’ll get more pussy than Frank Sinatra.

On Thanksgiving Night in 1976, the legendary rock group known simply as The Band said farewell to touring with a party at San Francisco’s legendary Winterland Ballroom. 5,000 turkey dinners were served. There was ballroom dancing and a poetry reading.

Stage Fright

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Help! (1965)

Sunday, November 11th, 2007

I thought she was a sandwich ‘til she went spare on me hand.

With the first Beatles movie, A Hard Day’s Night, they had the good sense not to saddle the lads with anything that closely resembled a plot. Their 1965 follow-up is similarly devoid of a storyline but saddled with the unnecessary appearance of having a plot. The alleged narrative ends up accomplishing nothing but diverting attention away from the music and scenes of the Beatles doing what they did best: being the Beatles. There are a few moments in which the four boys get the chance to cut loose and in those scenes, Help! does manage to come to life. Alas, there are not enough of those.

Help!

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A Mighty Wind (2003)

Monday, March 5th, 2007

There was abuse in my family, but it was mostly musical in nature.

The biggest problem with A Mighty Wind is that it gets so involved with telling its story that it occasionally forgets to be comedy. Make no mistake, it’s not a bad story, but it’s not a story of talentless but enthusiastic losers like Waiting For Guffman or of hilariously obsessive dog lovers like Best In Show. The faux-folk musicians in A Mighty Wind are actually quite good at what they do and they’re not clueless buffoons like Spinal Tap. The dramatic elements, especially the story of Mitch (Catherine O’Hara) and Mickey (Eugene Levy) take control and the outright comedic elements, especially those of Fred Willard, tend to hang in the air like a loud fart at a funeral.

A Mighty Wind

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Hustle & Flow (2005)

Wednesday, April 26th, 2006

I’m here trying to squeeze a dollar out of a dime, and I ain’t even got a cent man.

I’m either too old, too white or just too dumb to get it, but I’m never been able to wrap my brain around the use of the word “pimp” as a synonym for making something stylish in a flashy way. How did our culture take a word derived from the criminal exploitation of women and turn it into something that’s elevated to some sort of exalted pop status?

Hustle & Flow

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Ray (2004)

Monday, February 13th, 2006

Promise me you won’t let nobody turn you into no cripple, you won’t become no charity case, and you’ll stand on your own two feet.

The most amazing thing about Jamie Foxx‘s performance in Ray is how when the real Ray Charles appears briefly on screen toward the end of the movie, there is no jarring disconnect with the rest of the picture. Foxx has Charles’s vocal mannerisms down so perfectly that, when asked to lip-synch to the real performer’s recordings, it is seamless.

Ray

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The Blues Brothers (1980)

Wednesday, February 1st, 2006

It’s 106 miles to Chicago, we’ve got a full tank of gas, half a pack of cigarettes, it’s dark and we’re wearing sunglasses.

Hit it.

Regardless of whether or not I like the movie, The Blues Brothers has something serious to answer for. This is probably the film that convinced movie producers that sketch characters from Saturday Night Live could be successfully translated into movies. Therefore “Joliet” Jake and Elwood have to shoulder part of the blame for travesties like A Night at the Roxbury and It’s Pat.

The Blues Brothers

The problem is that the Blues Brothers weren’t sketch characters. They didn’t have a catch phrase and their only “schtick” was a genuine respect for the music that they covered. This gave screenwriters Dan Aykroyd and John Landis the freedom to craft an actual story around the characters. If the story is a little too slight to support two hours and thirteen minutes of running time, that doesn’t matter too much. Like their Blues Brothers appearances on SNL, this movie is mostly about the music.

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