Keyword Archive:
Epic

The Last Emperor (1987)

Saturday, March 8th, 2008

All your life you thought you were better than everyone else. Now you think you’re the worst of all!

Perhaps the saddest line in Bernardo Bertolucci’s Oscar-sweeping epic, comes early when the 9-year-old Emperor Pu Yi (Tijger Tsou) naively tells his brother that an emperor can do anything he wants. The bitter irony is that this is only true so long as the emperor does not want to do anything that matters to the people of China. He spends his childhood as a prisoner of his court’s need to have an emperor, in order to justify their own position.

last-emperor.jpg

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The Ten Commandments (1956)

Sunday, March 26th, 2006

So let it be written, so let it be done.

There has to be some degree of irony to a film called The Ten Commandments, since one of those commandments says “make no graven images,” and this film does sort of count as one long graven image. Or am I completely off base?

The Ten Commandments

Either way, this is one of those completely “review-proof” films, where any attempt to analyze or criticize it as you would a normal film. For people who love this film, the basic standards of filmmaking are utterly without relevance to their enjoyment of it. Sure, by our definition of what constitutes a good movie, impresario Cecil B. DeMille’s biblical epic is an overacted, overwrought potboiler, but saying so leaves you feeling like a spoilsport, if not a bloody heathen.

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The Lord of the Rings Trilogy (2001-2003)

Monday, December 19th, 2005

Yep, I did it. I sat down and watched all three films, the extended editions, in one day. That’s a butt-numbing eleven hours and twenty-one minutes of movie watching if you’re counting. And I did it exactly one year ago, too! Go ahead and say it: I’m a film nerd.

The Lord of the Rings: The Return of the King (2003)

Monday, December 19th, 2005

A day may come when the courage of men fails, when we forsake our friends and break all bonds of fellowship, but it is not this day.

There’s little to say about Return of the King that I haven’t already said about the first two installments in Peter Jackson’s trilogy of Lord of the Rings movies. To my mind, it inherits the same virtues of the previous two movies while bringing the cycle to an epic and satisfying conclusion.

The Lord of the Rings: The Return of the King

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The Lord of the Rings: The Two Towers (2002)

Monday, December 19th, 2005

Look for your friends, but do not trust to hope.
It has forsaken these lands.

The middle entry in a trilogy often has the hardest job, picking up where the first story left off and leaving enough for the final part to build on. In other words, it has to hit the ground running, assuming you remember what you saw a year ago and then leave you hanging two or three hours later. I don’t count faux trilogies like the Indiana Jones movies, which are only called a “trilogy” because there just happened to be three movies. There was, however, no common narrative thread tying the films together, like there is for Lord of the Rings.

The Lord of the Rings: The Two Towers

Like The Empire Strikes Back, The Two Towers successfully avoids the “middle movie” trap. (more…)

The Lord of the Rings: The Fellowship of the Ring (2001)

Monday, December 19th, 2005

I do not know what strength is in my blood, but I swear to you I will not let the White City fall, nor our people fail.

The first film of the Lord of the Rings trilogy had a tall order to fill. It had to establish the complex fantasy universe of Middle Earth and the peoples who inhabit it, while putting the story of the Ring into motion and accomplish this in the amount of time you could reasonably expect an audience to sit still for a movie. It probably would have been no problem to make a ten-hour film out of the first book alone.

The Lord of the Rings: The Fellowship of the Ring

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Kingdom of Heaven (2005)

Friday, November 4th, 2005

Jerusalem is easy to find. You come to where the men speak Italian, then continue until they speak something else.

When I first saw the previews of Kingdom of Heaven, having not heard of the film before that, my first reaction was, “Wow, somebody’s seen Gladiator a few too many times.” Much about the scenes in the trailer seemed like a conscious attempt to ape Ridley Scott‘s sword-and-sandals epic. It wasn’t until I reached the end of the trailer that I realized this was also a Ridley Scott film.

Kingdom of Heaven

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The Sand Pebbles (1966)

Saturday, October 1st, 2005

Pray for an early spring… or permission to open fire.

Day seven of my own little Robert Wise Film Festival

In 1966, the Vietnam war was just beginning in earnest and Robert Wise made The Sand Pebbles, an epic about another American intervention in Asia forty years earlier. After watching the film, it’s hard to judge whether the film was anti-Vietnam or just about an American gunboat in China in 1926, which is to its credit. Had Wise chosen to stack the deck politically, it would have weakened what was already a powerful story.

The Sand Pebbles

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The Great Escape (1963)

Friday, September 2nd, 2005

One has to ask some very strange things in the job I have.

The Great Escape is a featherweight escapist entertainment (pardon the pun) disguised as a true story. While the basic facts of the story are faithful to real events, great liberties are also taken, mostly to make the film more appealing to American audiences.

The Great Escape

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