Push the button, Max.
This big-budget, globe-trotting comedy is almost exactly as old as I am and I’ve always held a warm place in my affections for it. It’s not quiet or subtle, but it is spirited, like a Clydesdale that thinks it’s a quarter horse.
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I don’t think William Holden’s presence in this movie is a coincidence, because he almost automatically puts you in mind of Sunset Boulevard, and Blake Edwards’ 1981 movie is obviously meant to make Billy Wilder’s 1950 poison pen letter to Hollywood look like a Shakespearean love sonnet. Continue reading →