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Blade Runner is the exception that proves the rule that filmmakers should not be allowed to revisit their earlier work, like George Lucas did with Star Wars. Unlike Lucas’s popcorn trilogy, Ridley Scott‘s visionary adaptation of Philip K. Dick’s Do Androids Dream of Electic Sheep has always seemed like it really was only partially finished.
The first two Batman movies may not have been everyone’s cup of tea, but at least they were infused with director Tim Burton’s quirky sensibilities. The second two, directed by Joel Shumacher, were just a train wreck.
The fifth movie does us all a favor by pushing the big cinematic reset button and returning Batman to the beginning, placing him in a universe that has less in common with Edward Scissorhands and the 1960s TV series and more in common with the Batman of the comic books. In other words, the real Batman has made it to the big screen. Finally.