Before, he was evil and my enemy. Now, he is evil and my friend.
Released at the height of the James Bond heyday, this sober, gritty adaptation of John le Carré’s novel seems like a deliberate antidote to the increasingly fanciful adventures of Ian Fleming’s superspy. There are no outlandish gadgets or glamorous locations and the only significant female character dresses like a librarian (Of course, that might have something to do with the fact that she’s a librarian). For those who like their espionage somewhat grounded in reality, this movie is a three-course meal.


