Bringing Chris Nolan’s Bat-Trilogy to a satisfying conclusion, The Dark Knight Rises is probably not everyone’s idea of a comic book movie, but if it’s not yours, then you’re missing out. It may tell a complicated story and take its sweet time in the process, but it doesn’t waste that time in any way. For this last film, Nolan uses the canvas of the Batman universe to weave an epic tale, planting the comic book notions of good and evil in something that feels like the real world.
Comic book movies are all grow’d up and, boy, are they gloomy. Christopher Nolan’s follow-up to his brilliant Batman Begins goes beyond its predecessor and gives us a rich, multi-layered story with one of the more original takes on the comic book villain I can remember. With the creative success of this movie, we can officially write off the Tim Burton Batmans as an unfortunate detour (and the Joel Schumacher films as a large pothole in that detour).
Patton will lead the assault. I would prefer Montgomery, but even Eisenhower isn’t that stupid.
This movie serves as both an unofficial sequel and thematic bookend to The Longest Day. It has an undeserved reputation for being overlong, ponderous and dull. It’s none of those things but I can understand how it could appear that way to people expecting a more conventional war movie.
Nicholas Cage seems condemned to narrate movies in which he stars, beginning with Raising Arizona. No less than two movies last year made similar use of Cage’s vocal talents, Lord of War and now The Weather Man. Why is it about Cage that causes people to cast him in this type of role so often? His voice does have a unique hang-dog quality, sort of like a kindly bloodhound character from an animated Disney movie.
The first two Batman movies may not have been everyone’s cup of tea, but at least they were infused with director Tim Burton’s quirky sensibilities. The second two, directed by Joel Shumacher, were just a train wreck.
The fifth movie does us all a favor by pushing the big cinematic reset button and returning Batman to the beginning, placing him in a universe that has less in common with Edward Scissorhands and the 1960s TV series and more in common with the Batman of the comic books. In other words, the real Batman has made it to the big screen. Finally.