Films featuring
Leonardo DiCaprio

J. Edgar

The crimes we are investigating aren't crimes, they are ideas.

Back in 2004, Martin Scorcese released The Aviator, a biopic about a larger-than-life, but enigmatic 20th century figure, starring Leonardo DiCaprio. Unfortunately, while that movie was handsomely produced and impeccably acted, it failed to get inside the head of Howard Hughes.

Seven years later, Clint Eastwood releases J. Edgar, a biopic about a larger-than-life, but enigmatic 20th century figure, starring Leonardo DiCaprio. Unfortunately, while that movie was handsomely produced and impeccably acted, it failed to get inside the head of J. Edgar Hoover.

Seriously, when major directors are shooting biographical movies about major figures and failing to come to grips with their subject, it appears that their first instinct is to call DiCaprio’s agent.

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Blood Diamond

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Blood Diamond is a political thriller with a conscience that veers close to being slick commercial exploitation of a serious subject matter. It never crosses that line but other flaws keep it from being perfect, namely an overly complicated ending that seems to drag out the second half of the movie. The film’s virtues, however, more than compensate.

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The Departed

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If F-words were horses, Martin Scorcese’s The Departed would be a stampede. Of course, it wouldn’t be a Scorcese film without an intensive barrage of R-rated language and this is a prime example of the director in his natural environment, among cops and wise guys and navigating a morally ambiguous urban landscape.

Scorcese has spent the last decade away from his natural milieu, possibly pursuing a level of artsy respectability that would earn him that long denied Best Director Oscar. That makes it someone ironic that he finally won the award with a lurid, violent but insightful crime film that played to his strengths.

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Titanic

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It’s hard to say what was crazier: spending $200 million on a period love story with a downer ending or the backlash that started a few nano-seconds after the film cleaned up at the Academy Awards. Make no mistake, L.A. Confidential was the superior picture that got robbed of the Best Picture statue, but snubbing a superior, less commercial film has become sort of an Oscar tradition in recent years.

Just because Confidential was the better movie doesn’t mean Titanic sucked, not by a long shot. James Cameron’s epic no more deserves the constant elitist sneering and sniping it has received any more than it deserved the Best Picture award.

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Aviator

The Aviator

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Making a film about Howard Hughes is quite a challenge, given that the man was largely an enigma even to those who knew him best. How do you tell the story about who struggled to hide his numerous demons and lived the last few decades of his life in virtual seclusion from the world? Director Martin Scorcese wisely chose to concentrate on the part of his life that was lived in the public eye but that is also part of the weakness of The Aviator. The facts presented here are well known to those familiar with the life of Howard Hughes and don’t really offer an incisive look at the private man.

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