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If this were a better film, it could do for the sales of hand sanitizer what Sideways did for Pinot Noir.
This is not a bad film. It’s well-produced, well-acted by a first-rate cast, and diligently convincing in its scientific details. Unfortunately, it maintains an emotional distance between the audience and its characters, and this serves to keep the film from being truly engrossing.
I’m not much of a comic book aficionado, so I’m not certain where the Fantastic Four fit in the pantheon-slash-food-chain of super heroes. I guess the fact that I’m aware of them means they’re pretty popular. As a film franchise, however, they are strictly bush league. Continue reading →
Perhaps a better title for this movie would The Martyrdom of Saint Robert. This movie spends most of its two hours genuflecting before the memory of JFK’s little brother. While it’s not hard to believe that Bobby Kennedy was the most interesting person at the Ambassador Hotel on the night of the California primary, this movie would have you believe that the Senator was the only interesting person present that night.
Francis Ford Coppola’s feverish anti-war epic Apocalypse Now actually began its journey to screen in the late sixties when Über-macho filmmaker John Milius attempted to meet the challenge presented to him when he was informed that no one had successfully adapted Joseph Conrad’s novel Heart of Darkness, although several had tried, including luminaries such as Orson Welles. His original screenplay was true to Milius’s conservative, pro-military outlook, containing a great deal of praise for the warrior lifestyle and nothing but contempt for the hippies he saw protesting against the Vietnam War.
In Clint Eastwood‘s Mystic River, a tragedy that shattered childhood innocence reaches out to destroy lives decades later. In a way, one of the main characters is murdered as a twelve-year-old but takes thirty years to die.