We think we’ve got all the time in the world. But how much time has the world got?

The ending of Beneath the Planet of the Apes seemed to preclude any sequels and, despite the financial success of the first two films, the budget for a third movie had been slashed. The producers of this film series had to think creatively. The result, while far from the equal of the 1968 original, stands head and shoulders above any of the other sequels, re-introducing the concept of character development and semi-intelligent writing back into the series. Sure, the audience is asked to accept a premise that, when you follow the logic of the first two films, is staggeringly ridiculous, but once you get past that, the story moves along relatively well.

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The only good human… is a dead human!

While this is technically a sequel to the original Planet of the Apes, it’s probably best described as a half-assed remake. This film basically recycles most of the macro-plot elements of the first film, only without much of the same wit, subtlety or substance.

Charleton Heston had the good sense to want to stay far away from this movie and only agreed to appear when the producers acceded to his request to kill his character and end the film in such a way to preclude any further sequels.

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