Films featuring
Josh Brolin

Men in Black 3

You know, we been doing some pretty smart stuff over the past day or so. How about we do something stupid?

After ten years, the only real impression left behind by Men in Black 2 was a vague sense of dread at the announcement of Men in Black 3. After such a badly misfired sequel, the third film in a franchise can do one of two things: either drag the series further down the rat hole, or like Die Hard: With a Vengeance, actually redeem the series. Chalk this one down for option B.

The original film prospered on the casting of Tommy Lee Jones as an anchor for Will Smith. Wouldn’t you know that the third film’s success is the result of an equally inspired bit of casting. More about this later.

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True Grit

True Grit

Remakes of John Wayne movies are a rare thing. Stagecoach was remade twice, but never with memorable results. The Sons of Katie Elder was kinda/sorta remade as the Mark Wahlberg film Four Brothers, but the modern-day gang parable was barely recognizable next to the source material.

In True Grit, Jeff Bridges would be stepping into the iconic role that earned Wayne his Best Actor Oscar and the only character that I can recall that Wayne actually played twice. It was a ballsy move for an actor now permanently identified with “The Dude,” the memorable slacker from The Big Lebowski. Fortunately for Bridges, the Coen Brothers, also writer/directors for Lebowski, had the actor’s back.

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No Country for Old Men

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Ten years ago, movies like this didn’t win Best Picture. They lost to safe, happy movies like Forrest Gump and Shakespeare in Love. By their usual standards, the Academy voters would have gone with Michael Clayton, the safe and respectable choice. In the last couple of years, however, the Academy has been on a serious indie kick, and the Coen Brothers’ dark character study is about as indie as mainstream movies get. Was the best film of 2007? Perhaps, perhaps not. At least this makes up for Fargo losing out to The English Patient.

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American Gangster

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With the creative pedigree behind this film, if it had merely been good, that would have been a tremendous disappointment. The writer, director and two stars have no fewer than five Academy Awards between them and none of them earned cheaply. It should come as either no surprise or a great relief that American Gangster more than delivers on every promise made by the names in the credits.

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Melinda and Melinda

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Woody Allen films can be an acquired taste, and I’ll be the first to admit I haven’t truly acquired it. I’ve admired some of his films individually, like Hannah and Her Sisters, but not enough that news of a new Allen film automatically draws me out to the theater.

Whatever your opinion of Woody Allen films, Melinda and Melinda is unlikely to change your mind. It’s a film so specifically targeted at Woody Allen’s core audience that it’s actually a little off-putting to those who don’t fit into that demographic.

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