Films featuring
Giovanni Ribisi

Avatar

Avatar

When I first saw Avatar in the theaters, I experienced it the way it was supposed to be seen, in full-blown IMAX 3D. Seen that way, it was a visual and aural experience unlike any I’d had before or since in the movie theater. James Cameron had eschewed the usual 3-D gimmickry of objects seeming to fly over the audience’s heads, and used the tools at his disposal to create an all-encompassing fantasy environment that seemed real enough to touch.

Some people even reported feelings of depression after the movie because they preferred the alternate reality of the movie to their own. While I think such people were already in need of serious therapy and possible medication, I can understand how this movie, more than any other, would be the one to inspire that kind of “separation anxiety.”

As a visual spectacle, this film has thrown down an intimidating gauntlet that will be hard to top for the sheer exhilaration factor. Even “King of the World” Cameron himself might be feeling a little performance anxiety as he prepares Avatar 2, because even he might be hard-pressed to top his own creation.

But, about that story…

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Flight of the Phoenix

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I didn’t think it was possible to do a bad imitation of Michael Bay without making it a deliberate parody, but this remake of the 1965 Jimmy Stewart classic manages to ape parts of Bay’s signature look while actually making Armageddon look like Citizen Kane in comparison.

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Perfect Stranger

The director of this misbegotten chunk of lifeless cinematic afterbirth is James Foley, previously responsible for Glengary Glen Ross, a brilliant adaptation of David Mamet’s play. That earlier work was top drawer and it still had half as many virtues as this movie has vices. Perfect Stranger smacks you across the face with plot holes so huge that it would be an insult to your intelligence if only you could be bothered to care.

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Saving Private Ryan

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Saving Private Ryan is almost two movies in one. The first is a short but intense 30-minute piece about the Omaha Beach landings while the second is a more traditional “unit” picture running about two-and-a-half hours. Only the presence of the same actors in both ties the two parts together. Each could probably stand separately but folded into the same film, the first part helps give the second, longer narrative layers of meaning and emotional weight that it wouldn’t otherwise carry.

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Sky Captain and the World of Tomorrow

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Sky Captain and the World of Tomorrow was billed as an experiment in digital film making, shooting actors against a blue screen to be composited into computer generated images. I’m not sure if there’s anything here that George Lucas wasn’t already doing on a much larger scale for the Star Wars prequels, so as an experiment in technique, Sky Captain is probably much ado about nothing.

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Lost in Translation

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Sophia Coppola’s Lost in Translation has been a frustrating little movie for those of us who have championed it. I saw this movie in the theater when it first came out and loved it. I recommended it to friends and family members, most of whom saw it on video. Their response was almost unanimous: it sucked, nothing happened, the two main characters were a couple of passive lumps who never did anything. First I checked the obvious alternatives. Either my friends and family had all seen the wrong movie or they had been replaced by alien pod people. How could such intelligent, rational people take such a passionate dislike to this little gem of a movie.

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