Films featuring
Emma Thompson

Brave

Marriage is not the end of the world.

This is less of a Pixar movie distributed by Disney than it is a Disney movie with animation by Pixar. The sumptuous visual experience we expect from a Pixar movie is more than up to our expectations, but as a story, Brave trods the familiar ground of more traditional Disney animation rather than the uncharted territories of WALL-E, Up, or The Incredibles. Unlike previous Pixar efforts, this is one for the kids and not as entertaining for the grown-ups in the room.

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Men in Black 3

You know, we been doing some pretty smart stuff over the past day or so. How about we do something stupid?

After ten years, the only real impression left behind by Men in Black 2 was a vague sense of dread at the announcement of Men in Black 3. After such a badly misfired sequel, the third film in a franchise can do one of two things: either drag the series further down the rat hole, or like Die Hard: With a Vengeance, actually redeem the series. Chalk this one down for option B.

The original film prospered on the casting of Tommy Lee Jones as an anchor for Will Smith. Wouldn’t you know that the third film’s success is the result of an equally inspired bit of casting. More about this later.

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Much Ado About Nothing

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Between the mud-stained medieval warfare of Henry V and the emotional operatics of Hamlet, Kenneth Branagh, dipped his toe in one of Shakespeare’s lightest and airiest comedies and produced one of the most accessible and genuinely delightful versions of the Bard’s plays to reach the big screen. Its plot, boiled down to its essentials, will probably seem familiar to fans of modern romantic comedies, proving that the genre is one of oldest, and most durable, in English literature.

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Dead Again

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After measuring himself against no less than Laurence Olivier with his modernized adaptation of Henry V and comparing favorably, Kenneth Branagh took aim at no less a figure than Alfred Hitchcock with his next film. As entertaining and stylish as Dead Again is, Branagh seems to be on much surer ground when tackling the Bard of Avon than he does with the Master of Suspense. Continue reading

Henry V

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Just 29 when he made this, Kenneth Branagh fired a shot across the bow of no less a figure than Laurence Olivier, who had, forty-five years earlier, also directed and starred in his own adaptation of William Shakespeare’s play. Olivier’s version, made in wartime, was intended as a patriotic rallying cry for a weary nation. Branagh’s grittier, more ambiguous version is no less accomplished, although it could stand to be slightly better paced.

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Harry Potter and the Order of the Phoenix

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The bloom of whimsy is off the Hogwarts rose as things get all dark and serious. Harry Potter (Daniel Radcliffe) has several problems to contend with. Dementors are chasing him. The Ministry of Wizards wants him expelled. Hogwarts has been taken over by Delores Umbridge (Imelda Staunton), a perky Torquemada in lavender. Hermione (Emma Watson) is now taller than him and Lord Valdemort is raising an army again.

Probably by design, this Potter movie lacks some of the charm of the previous films, as its themes and situation are considerably darker and more threatening. Harry seems to spend most of the story out of step with the rest of the cast and Radcliffe is up to the task of making us feel his vulnerability and isolation.

This chapter hasn’t been as well reviewed by others as the previous ones, although it is definitely superior to the first two. I think the lukewarm reception comes from those unfamiliar with the Potter mythos and not expecting the darker turns in the story, as well as those who have memorized the books and take umbrage with the filmmakers daring to condense the story down to a manageable cinematic length. Given the number of balls that author J. K. Rowling has given director David Yates to keep in the air, he’s done about as good a job as anyone could have in bringing the story to the screen.