Celluloid Heroes

The future of cold is infinite. The future of heat is the future of cold. The bookstores are infinite and so are never full except in September…

John Madden’s adaptation of David Auburn’s stage play examines the situation of a young woman (Gwyneth Paltrow) living under two long shadows cast by her recently deceased father (Anthony Hopkins). Robert, the father, was a unparalleled math genius and Catherine, the daughter seems paralyzed by the pressure to follow in his footsteps. Robert was also crippled by severe schizophrenia that virtually ended his teaching career and Catherine fears the genetic legacy of her father’s mental illness.

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If it wasn’t for Jews, fags, and gypsies, there would be no theater.

To Be or Not to Be is sort of an odd duck among Mel Brooks films. Aside from voice-over work and TV guest shots, it’s about his only major role in a film he didn’t write or direct. While long on slapstick, it’s the closest thing to serious that Brooks has been at any point of his career, dealing with the Nazi occupation of Poland and the Holocaust, however obliquely. It also has the most cohesive storyline of any Brooks film since Young Frankenstein.

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