Scott Nehring, the keeper of one of my regular stops on the net, Nehring the Edge, and a regular booster of our little corner of the ether, was subjected to, er, the subject of an interview by Simon Owens over at Bloggasm.com. Since he was nice enough to give us a plug during that merciless interrogation, I’d thought I return the favor here.
Thanks, Scott. You’re one of menschiest mensches in the blogosphere.
You see, Pige, when you’re footloose and collar free, you take nothing but the best.
Despite the silly, saccharine and inconsequential nature of its story, Disney’s Lady and the Tramp still stands as one of the great achievements in the history of the Mouse Factory’s animated features. Even if the movie had no story it all, that wouldn’t change the fact that it is one of the most gorgeously illustrated of the Disney animated films. There isn’t a frame of this film that I wouldn’t be happy to have framed and hanging on my wall. The animation of the canine characters fluidly blends realism and anthropomorphic fantasy. The filmmakers also make superb use of the movie’s 2.55:1 CinemaScope aspect ratio, a rarity among animated films of any kind.
The film is also unique in that it was also filmed simultaneously in the 4:3 Academy ratio. However, the “Full Screen” version on the new DVD is not this version, but a pan and scan of the CinemaScope film. That doesn’t matter, since here we watch only the widescreen version if we can, but it’s still sad that one of the original versions of this classic is not available.
Domino, give the goddamn numchucks a rest already.
Somewhere, there is a legion of meth addicts for whom this movie makes perfect sense.
See mommy picking the big lock? Someday, when you’re a big girl, she’ll teach you how to pick locks. Of course, she may still be picking this one.
I wanted to spin a New Orleans-based movie for Fat Tuesday, and this was the only Big Easy film in my collection.
Undercover Blues is a lightweight, inconsequential comedy that succeeds completely on the charisma of its stars and a thoroughly fearless comedic performance by a fast-rising actor. The plot doesn’t make a whole lot of sense and rests on the flimsiest of MacGuffins, but by the end you’re laughing hard enough not to care.
