Never open on a ballad. Never end on one, either.

The good news is that, even if De-Lovely’s narrative were completely missing in action, it would still be worth a viewing for its first-class productions of Cole Porter’s music, featuring performances by several contemporary artists like Alanis Morissette, Sheryl Crow, Diana Krall, Elvis Costello, and Natalie Cole. The even better news is that the story of De-Lovely, tracking the last fifty years of Cole Porter’s life, is also worth your attention.

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Do I have an original thought in my head? My bald head.

I was sorely tempted to let my imaginary twin brother, Larry, write this review, but he was partaking of one of his many philanthropic pursuits, leading a deer hunting trip for a group of kids from the Braille Institute, and hasn’t been seen since.

Adaptation has a great deal in common with the other Charlie Kaufman films, mainly in how it plays with reality like your cat played with that gopher it caught in the back yard. While it’s “officially” based on the non-fiction book The Orchid Thief by Susan Orlean (Meryl Streep), the movie is actually about Charlie Kaufman’s unsuccessful effort to write a usable script from the book, as well as about the author’s relationship with the subject of the story, a self-styled botanist named John Laroche (Chris Cooper). The other storyline revolves around Charlie’s fictitious twin Donald and his attempt to become a screenwriter like his brother.

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