Celluloid Heroes

A long time ago, my ancestor Paikea came to this place on the back of a whale. Since then, in every generation of my family, the first born son has carried his name and become the leader of our tribe… until now.

Whale Rider takes a premise that could have been a politically correct exercise in female empowerment and instead crafts something truly magical out of a myth-like tale of a culture in transition and a clash between two strong-willed individuals, both of whom love their people’s traditions in very different ways.

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Well then I guess the big mystery is, who gathered all those remarkably different cultures together and taught them all how to park their cars on their lawns?

The team behind Paul Haggis‘ Crash said they were out to polarize people and, well, mission accomplished. This film made its share of both “ten best” and “ten worst” list for last year. You don’t divide critical opinion to that degree without swinging for the fences and, if Crash is not quite a home run, it definitely has warning track power.

Crash takes an Altman-esque look at the often bumpy interrelations between persons of different ethic backgrounds living in Los Angeles. Using a large, diverse cast, the film examines how they are all, in turn, victims of other people’s preconceived notions about their particular ethnicity and then turn around and, without thinking, inflict the same treatment on others.

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The Russians put our camera made by our German scientists and your film made by your German scientists into their satellite made by their German scientists.

On paper, Ice Station Zebra must have looked like a slam-dunk. The director of The Great Escape helming a film based on the work of the author of The Guns of Navarone. Unforunately, Ice Station Zebra doesn’t possess the sense of adventure found in either of its ancestors.   

That doesn’t mean that this film isn’t enjoyable. When I remember seeing the film in my youth, my primary recollection is of the fairly rigorous authenticity of the submarine sequences. Sub buffs can certainly enjoy the film on that level. There is also some dazzling widescreen photography in some of the at-sea scenes as well, at least until the sub reaches the North Pole and they discover that it’s a soundstage.

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