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These are the posts for Thursday, the 26th day of January in the year 2006 of the common era.

Lord of War (2005)

Thursday, January 26th, 2006

There are over 550 million firearms in worldwide circulation. That’s one firearm for every twelve people on the planet. The only question is: How do we arm the other eleven?

Lord of War is a black comedy that labors so hard to be ironic it forgets to be funny. It’s better than the misfired Deal of the Century, but it still fails to engage your outrage because it views its subject through the amoral eyes of Yuri Orlov (Nicholas Cage). Whatever the aims of the filmmakers, the audience ultimately empathizes with the hero, undercutting the film’s condemnation of gunrunning.

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Director:  | Released:  | 122 min. | Rated:  | Genres: 

Remembering Gene Siskel

Thursday, January 26th, 2006

I always ask myself, ‘Is the movie that I am watching as interesting as a documentary of the same actors having lunch together?’”

This would have been Gene’s 60th Birthday. Even those he’s been gone almost seven years, I still find myself asking, “What did Siskel & Eb–, um, Ebert and Roeper think of this movie?”

Nothing against Richard Roeper, but film criticism was rarely better than when Gene and Roger were together. He will always be missed.

The Merchant of Venice (2004)

Thursday, January 26th, 2006

If you prick us, do we not bleed? If you poison us, do we not die? And if you wrong us, shall we not revenge?

“The Merchant of Venice” has been the problem child among William Shakespeare’s plays for some time. It’s very hard for modern audiences to reconcile the virulent anti-semitism in the characterization of Shylock and the light-hearted comedy that was the main story of the play.

The Merchant of Venice

This modern version takes the importance of the two stories and inverts them. (more…)

Director:  | Released:  | 138 min. | Rated:  | Genres: 

Dog Day Afternoon (1975)

Thursday, January 26th, 2006

I’m here with my partner and nine other people, see. And we’re dying, man. You know? You’re going to see our brains on the sidewalk, they’re going to spill our guts out. Now are you going to show that on television?

In Sidney Lumet‘s gritty heist drama, Al Pacino hadn’t yet become a parody of himself. He’s still a great actor but in some of his recent films, like Heat and The Devil’s Advocate, his acting has taken on a broad, over-the-top quality not found in his earlier work. In Dog Day Afternoon, even standing on the sidewalk, chanting “Attica! Attica!” Pacino never oversells the performance, making Sonny a nuanced and sympathetic character.

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Director:  | Released:  | 125 min. | Rated:  | Genres: