Look for your friends, but do not trust to hope.
It has forsaken these lands.

The middle entry in a trilogy often has the hardest job, picking up where the first story left off and leaving enough for the final part to build on. In other words, it has to hit the ground running, assuming you remember what you saw a year ago and then leave you hanging two or three hours later. I don’t count faux trilogies like the Indiana Jones movies, which are only called a “trilogy” because there just happened to be three movies. There was, however, no common narrative thread tying the films together, like there is for Lord of the Rings.
Like The Empire Strikes Back, The Two Towers successfully avoids the “middle movie” trap. It does this by expanding the universe of characters and setting up the trilogy’s remaining storylines. This is in contrast to, for instance, The Matrix Reloaded, which gave us little more than a collection of whizbang action scenes while the characters spun their wheels and went nowhere.
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