Celluloid Heroes

It’s not who I am underneath, but what I do that defines me.

The first two Batman movies may not have been everyone’s cup of tea, but at least they were infused with director Tim Burton’s quirky sensibilities. The second two, directed by Joel Shumacher, were just a train wreck.

The fifth movie does us all a favor by pushing the big cinematic reset button and returning Batman to the beginning, placing him in a universe that has less in common with Edward Scissorhands and the 1960s TV series and more in common with the Batman of the comic books. In other words, the real Batman has made it to the big screen. Finally.

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If there’s magic in boxing, it’s the magic of fighting battles beyond endurance, beyond cracked ribs, ruptured kidneys and detached retinas. It’s the magic of risking everything for a dream that nobody sees but you.

Million Dollar Baby is a film that has such implicit faith in its characters that it allows them to inhabit an unvarnished reality almost completely free of Hollywood artifice. You never get the sense that you’ve seen these people in another movie, but rather that director Clint Eastwood has simply taken his camera out and pointed it at them, including one guy that looks a lot like the director.

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